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Jim Sheridan is a hard keyboard player to quantify, as his career has been incredibly diverse. That said, it’s fair to say he’s a TV production expert from a musical viewpoint, and it’s given him some fascinating perspectives on composition, production and musicianship.
To listen / watch:
- Audio-only: click on the play button in the audio player above, or:
- Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
Discussion topics covered during the show (links will open in new tab):
The process of refining 1400+ songs for a season of the show
The joy of working with Randy Jackson
The intensity of workflow during production of a season of Name That Tune
Jim on the Late Late Show with Ryan Tubridy
Jim’s (non) musical upbringing, teaching himself to play and his unexpected first audition
The iconic Roland D50 Digital Native Dance
Spyder Simpson – He’s a Businessman
Jim performing with Linda Martin in 1995
Why Jim won’t have a bad word said against pop stars Jedward
Jedward go acoustic on the Late Late Show
Moving into TV work
Learning and doing TV composition, and what killed it as a viable career
Becoming a TV house band musical director
Jim and his house band on Tubridy Tonight
Michael Fassbender singing Twist and Shout
Guns, late nights and a train wreck performance worthy of nightmares
Russell Crowe performs on the Late Late Show
Jim with Sinead O’Connor – For One Night Only
Desert Island Discs: Trevor Horn Reimagines The Eighties – Trevor Horn, The Nightfly – Donald Fagen, Hejira- Joni Mitchell, West Side Story – Leonard Bernstein, Film Music Collection – Ennio Morricone
Key links:
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Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.
